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Toi Puaki

Performing arts

Expressive art forms and technologies in music, stage, theatre, events, dance and creative writing. Toi Puaki, as part of one of the creative sectors, applies the creative process to show, reveal and give testimony (puaki) to ideas and thoughts through artistic and performance skills. This sector has the highest rates of self-employment and was one of the most negatively impacted by COVID-19 with the widespread closure of venues.

Kia Mura! workforce development plan

Kia Mura! is the first workforce development plan for Toi Puaki (performing arts) created by Toi Mai Workforce Development Council and supported by the results of engagements with over a hundred people working in theatre and live music – including empathy interviews and creative talanoa – as well as sector analytics and data. The plan does not claim to cover the whole sector, but represents a snapshot in time, sharing insights about what the sector needs now to become a thriving workforce in the future.

In building this plan, we have drawn inspiration from te ahi (the fire) to help tell the story of performing arts in Aotearoa. A healthy fire needs many things to burn fiercely: a spark to ignite it, oxygen to breathe life into it and plenty of dry firewood for longevity.

Toi Puaki is like a fire. The sparks are its creatives who conceptualise and bring forth ideas and inspiration. The oxygen of this fire are its practitioners, its back-of-house workers and its musicians, for without these people creative sparks and ideas, full of potential, would remain as just that: ideas. And finally, the fuel that keeps Toi Puaki burning are its finances. Without a fair and sustainable funding model, the fire will burn to become just a few embers and eventually be extinguished.

Currently, Te Ahi Toi Puaki (the fire of Toi Puaki) is burning low with the funding that fuels it in short and sporadic supply. Without a fair and sustainable funding model, the fire will become a few embers and eventually go out. If Te Ahi Toi Puaki can burn fiercely, then audiences and practitioners alike will flock to enjoy its warmth and undeniable beauty. The plan includes proposed recommendations and actions, which are suggestions of how we can achieve this and reach our goal to see Toi Puaki thrive by ’35.

Toi Mai would like to acknowledge and thank those who shared their invaluable feedback on the draft WDP. The final plan (including the final recommendations and actions) is linked to in the resources below.

Contact us at [email protected] if you have any questions.

Download and read the full plan and other resources

The research, facilitation, analysis, writing and documentation of this workforce development plan has been completed by the Toi Puaki team at Toi Mai. A big shout-out to Sasha Gibb who was seconded to lead this project and steered it magnificently until her return to industry in 2023.

Also, thanks to Simon Holbrook for his guidance, encouragement and whakaaro, and Anton Matthews for his te ahi metaphor that brought this plan to life.

But mostly we would like to thank the many industry representatives across the motu from theatres, companies, bands, venues, organisations, training providers, employers, employees, contractors and industry advocates, whose honest and open feedback enabled us to gain compelling insights so that together we can shape a better future for Toi Puaki and the people of Aotearoa.

We would also like to acknowledge the time and contribution of the following people:

Research Participants

Cushla Aston, Aston Road/Music Managers Forum

Mere Boynton, Tāwhiri

Lyn Cotton & Mark La Roche, JOLT Dance Company

Iosefa Enari, Pacific Dance NZ

Dylan Fa’atua, Freelance actor

Ben Fagan, Motif Poetry

Sarah Griffiths, RNZB

Adam Hayward, Arts Integrated

Tanea Heke, Toi Whakaari

Thomas Hinz, Circability

Ellison Huata, Kahurangi Dance Productions

Narelle Huata, Kahurangi Dance Productions

Toni Huata, SOUNZ

Neil Ieremia, Black Grace

Brough Johnson, Narrative Muse

Malia Johnston, Movement of a Human

Eli Joseph, Producer and performer

Helaina Keeley, Auckland Live

Pip Laufiso, INATI Art and Events

Summer Lloyd & Pule Siva, Summer Studios

Benny Marama, Freelance

Dr Jeremy Mayall, Creative Waikato

Jacqui Moyes, Home Ground

Deborah Nudds, Manager, Meteor Theatre

Nicola Owen, Audio Described Aotearoa

Melissa Panettiere, Clarence St Theatre

Ataahua Papa, Auckland Festival

Jo Randerson, Barbarian Productions

JR Richardson, VenueTech

Taiaroa Royal, Okareka

Jep Savali, Manatua Productions

David Sidwell, Wintech

Sam Scott & Carrie Rae Cunningham, Massive Theatre Company

Jon Tamihere-Kearneys, Touch Compass

Kura Te Ua, Hawai’iki Tu

Tainui Tukiwaho, Te Rehia Theatre

Rahera Turner & Laura Haughey, Equal Voices

Nicole Vaka, Fua Creative

Dolina Wehipeihana, PANNZ

Industry Advisory Group

Paul O’Brien, Head of Technology, Tawhiri

Paul Brown, Audio Description Aotearoa

Taranaki Ah Young-Grace, Musician

Waitahi McGee, Actor

Rowan Pierce, Lighting designer

Pati Umaga, Musician

Stace Robertson, Arts Access Aotearoa

Creative Talanoa Participants

Dan Adams

Kavika Aipa

Mele Alatini

Isitolo Alesana

Ese Aumalesulu

Sara-Jane Auva’a

Herbee Bartley

Karl Benton

Daniel Clark-Te’o

Mark de Jong

Isaac Etimani

Miracle Fasavalu

Petaia Fata

Sosoia Folau

Frances Fuamatu

Thabani Gapara

Miss Hannah

Kolo Hansen

Efron Heather

Ben Heka

Mareno Karena

Zeena Khan

Hōhua Kurene

Muliagatele Danny Leaoasavaii

Lemau Jasmine Leota

Jedi Lesa

Aiono Manu Fa’aea

Walter Maola

Dawson Marama-Feagai

Lealamanu’a Caroline Mareko

Andy Mauafua

Jean McAllister

Red Ngaia-Setu

Saviiey Nua

Myk Nui

Sarah Nui

Itu Obeda

Nina Oberg

Chris Orange

Po and Epi

Oti Pomale

Pale Sauni

Bianca Seinafo

Ian Seumanu

Philip Siataga

Waipounamu Silbery

Deitrich Soakai

Longi Talafo

Saylene Tanielu-Ulberg

Maseiga Taufua

Kitiona Tauira

Awerangi Thompson

Daisy Lavea Timo

Seta Timo

Petrina Togi-Sa’ena

Isaac Tuia

Losaline Tupou

Pati Umaga

Kasi Valu

Ilaisa Vea’ila

Lavinia Vea’ila

Loseli Vea’ila

Belinda Weepu

Leisha Williams

Jeff Wragg

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